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Website but they are not enough and the total documentation must be The best documentation appears to be the videos on Lightcraft's Changing contrast is very difficult using the slow, buggy,ħ. i rarely use the spline, but it's pretty easy to get used to all 3.Ħ. "tied in knots" for lack of a better phrase The spline tool for selections is difficult to use- especiallyĭifficult to "seal" the selection and the selection tends to get the power in LZ is how easy it is to develop your own routines and save them as templates.Ĥ. LZ has put them in against the wishes of some of us who are dead set against push button solutions. You mean the styles? if so, some of them are indeed worthless. the precision comes in here mostly with easier to use selective editing tools. this is more like old-fashioned dodging and burning. What do you mean, precise? LZ is not a 'pixel-based' editor like PS/CS and its imitators. Response of Zonemapper tool is slow making precise adjustments there may be some tweaks i can help you with, though, if you are interested.Ģ. as a big fan of LZ, i'm truly-i mean it!-sorry to hear you're having thes problems. my conclusion is that it's a machine to machine thing. but some people DO INDEED have difficulties. v3.1 is the best iteration for a variety of reasons. i've been with the program for a year, now. I'm not having these problems on a very average wintel machine. PS/CS power users have already mastered the biggest problem with PS/CS-it's very steep learning curve. I am trying this on trial( ver 3.1) on a fast XP PCand have been
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However, in PS, I could use autolevels or Colorwasher plug-in to do the same in seconds. Using some suboptimal jpegs, I was able to bring them up to par after a while. The best documentation appears to be the videos on Lightcraft's website but they are not enough and the total documentation must be rated as poor. Changing contrast is very difficult using the slow, buggy, zonemapper- this takes seconds in PSħ. The undo does not work intuitively or at allĦ. The spline tool for selections is difficult to use- especially difficult to "seal" the selection and the selection tends to get "tied in knots" for lack of a better phraseĥ. Scene modes on left of screen don't appear to improve picture muchĤ. Response of Zonemapper tool is slow making precise adjustments difficultģ. Sometimes moving mouse over zonemap has no effectĢ. Has anyone else had this experience or am I missing something here ?ġ. So, see what you can find in your photos with LightZone.I am trying this on trial( ver 3.1) on a fast XP PCand have been disappointed thusfar If you Google, you can also find a discount coupon.
Lightzone presets trial#
There is a 30-day trial version available on their website. Therefore, it is more like Lightroom or Aperature than Photoshop since it does not have any direct “painting” tools in the program. Now for the negative: LightZone is NOT a Photoshop plugin it is a stand-alone application. But, I liked the results from Topaz Labs Denoise better. Pretty cool! I did introduce noise into the image, and experimented with LightZone’s built-in Noise Reduction filter. Finally, I applied the Toning Shadows filter just to define the shadows a little more. I applied the ZoneMapper filter to bring back some of the darkness in the shadows while maintaining the overall image balance in the remaining areas. Then I applied the Clarity filter to sharpen the revealed details and boosted the saturation with Hue/Saturation filter. I started with the Relight filter to bring out the hidden homes in the darkness. It is easy to just “play” with all the different settings.Įach preset starts with a default setting, but can easily be tweaked with sliders. All filters are dynamic and can be moved around, restacked and turned off to test results. Their website has a great Learning Center filled with videos showing the breath of this program. Version 3 makes it even easier by adding direct import of CameraRaw files, and pre-set filters with unlimited stacking capability. By manipulating these zones, LightZone finds details hidden deep in the digital data. It’s amazing what LightZone can find in an image! It analyzes the image’s luminosity on a 16-zone scale, similar to an expanded Ansel Adams “Zone System”.